Capote
A Review by Tom Condon, OP
(St. Martin Province)
2006 Oscar for Best Actor
FILM SYNOPSIS
Truman Capote (Hoffman), during
his research for his book In Cold Blood, an account of the murder
of a Kansas family, the writer develops a close relationship with
Perry Smith, one of the killers.
Featuring: Philip Seymour Hoffman, Catherine
Keener, Clifton Collins Jr., Chris Cooper, Bruce Greenwood
Capote begins with
a scene of an isolated farm house in rural Kansas.
It’s 1959. A girl discovers a horrible crime: an entire
family brutally murdered in their isolated farm house. The shocking
crime became the basis for Truman Capote’s famous novel,
In Cold Blood. Capote tells the story of the author’s involvement
with the story, from the moment he reads the account of the killings
in the newspaper until the execution of the killers five years
later.
When we first meet Truman Capote (a great performance
by Philip Seymour Hoffman), he is the toast of New York. The eccentric
gay Southerner with his odd voice had become famous with the publication
of Breakfast at Tiffany’s. He is immediately drawn to the
story. The next day, Capote takes a train to Kansas with his friend
and fellow writer Harper Lee (Catherine Keener) to investigate.
At first the heartland folk of Kansas don’t
know what to make of the eccentric Capote. Lee helps with her
down-to-earth demeanor. Eventually, he gains the trust of the
townspeople and begins to investigate. At first Capote plans to
write the account for The New Yorker. Later, he begins to adapt
it for a book.
Capote forms a relationship with Perry Smith (Clifton
Collins, Jr.), one of the killers. Smith tells him his life story,
and eventually, the account of the crime itself. Capote finds
a kinship with Smith. Both were products of traumatic childhoods.
As Capote puts it, “It’s as if Perry and I grew up
in the same house. And one day, he got up and went out the back
door, and I went out the front.”
As Capote continues to write, the relationship
with Smith grows more complex. Capote is drawn to Smith, yet,
as a writer, he begins to manipulate him in order to get the story
from him. Capote’s editor tells him he can’t publish
the book without the killer’s first hand account of the
brutal killings. Capote lies and otherwise manipulates Smith in
order to get information for the book. Smith calls, writes, and
pleads with Capote to find a lawyer who will attempt to commute
his sentence. The movie ends with the execution of Smith and his
accomplice, Dick Hickock, which Capote witnesses. Capote is frozen
with fear and revulsion as the execution nears. Capote tells Lee
he did everything he could to help him avoid the execution. She
knows that he is telling another lie. After all, the execution
brings a fitting closure to the book and the saga of crime and
punishment.
Capote is a very fine film. Hoffman gives an extraordinarily
complex performance as Truman Capote. Capote is a celebrity, socialite,
eccentric, Southern homosexual. Hoffman masters his accent, but
goes much deeper to show us both Capote’s pain, but also
his narcissism. Even though he has a bond with Smith, he primarily
sees him, not as a person, but as an object who can give him what
he needs to write what he knows will be a sensational best seller.
Even more disturbing is his jealousy of his faithful friend Harper
Lee. When her celebrated novel, To Kill a Mockingbird is made
into a film, Capote sulks at the premiere. Shockingly, he comments,
“Frankly, I don’t know what all the fuss was about.”
Catherine Keener’s fine performance as the down to earth,
loyal Harper Lee stands in dramatic contrast to the narcissistic
Capote.
Director
Bennett Miller and screenwriter Dan Futterman, deserve great credit
for keeping the audience engrossed in the film, especially with
its deeply flawed central character. Capote could easily have
been an exercise in high camp: New York dandy contrasted with
the plain and simple Kansas folks. Instead, it becomes a sobering
examination of how a brilliant, fragile, writer exploits his subject
for a good story. The postscript to Capote reports that, with
the publication of In Cold Blood in 1966, Truman Capote became
the most famous writer in the United States. But what a price
he paid for fame and success. Truman Capote dies from alcoholism
in 1984, a month shy of his 60th birthday, without completing
another work.
Tom Condon, OP
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